UNION BRUSH WORKS
New London & Bear Creek

Union Brushworks: Signature work of Bear Creek, running blue through bright green shrubs with dark pine woods in the banks in back, and some big boulders in front. The action is a man in white artist's smock, clutching a painting in one hand, palette in the other, and easel under an arm, fleeing wildly towards the viewer. Behind in his path is white water; a track leading fifty feet back to a large black bear.

Interview With the Author


About how many paintings have you done as a professional artist?
Since 1986, about 900 paintings have found homes in 30 states & Ontario. The collection goes on the road for half a dozen shows each season. Those fairs are enough to disappear...a full year's work....Shows are special because I get to meet my art patrons.

What reaction do you hope for from those who view your work?
It shouldn't matter, but every Spring I wonder if the collection of new paintings will generate...interest again. The work is not meant to be only pretty or pleasing, but is intended to stop the viewer...to ponder a while. In a pastorale I want the viewer to feel what I felt painting it; in a satire I hope to translate my skepticism about the way things are done.

Why do you work in oils?
At art shows you would nearly have to hire a detective to find an oil painter these latter years. There are lots of watercolorists and acrylics people, but few oil painters. It must be bad turpentine taking them out. For me, in spite of the warnings, nothing can surpass the feel and life of rich full-bodied oils, shiny and shimmering on a well lit wall. So I have stayed with them for 25 years.

How long does a painting take?
After, 'Are these acrylics or watercolors?', that's the most common question I get, and it's a tough one. I once heard a watercolor guy defend time away on a fishing trip with, 'I'm not worried about getting behind. I can knock off 4 in a morning.' Not so with oil paint. A score of classic trucks took nearly a year, but a satire of New London lifeguards smoking behind the pool finished up in two 5-hour sessions.

Worthy painting or not, it takes a long time from the first go-round to the final varnish. It's a lot of time to worry it, and, too often, brush it out as a reject. In the studio, there may be 20 pieces in progress, some moving along like third grade angels, some belligerent as downtown hoods. So the answer to how long is 10 hours to 10 months. Or, maybe, each painting takes, right now, the 33 years from when I first dipped in a brush.

training, influences...?
During the '70s I studied at Academia Internacional Guadalajara, and with the Modernists at Stevens Point, nice people who had little success with me. While they marveled at Klee and Pollock, to me, it seemed like two more guys who just knocked off 4 pieces in a morning. So, while it's nice to spend a few minutes with the 'Soup Cans' at the Chicago Institute, to me, it's only a stopover on the way to the Inness and Monet Rooms.

Do you have a favorite piece?
My most cherished 'acquisitions' were two pieces taken in a gallery heist a few years ago. Not many painters can say they are this sought after. Either the work is getting more desireable, or cat burglars are getting less particular.

2002

Contact Information


Address:
Michael OConnell
809 Oshkosh Street
New London, WI 54961
Phone:
(920) 982 - 1587
Email:
omike88@hotmail.com

Acquisitions


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Union Brushworks: Signature work of Bear Creek, running blue through bright green shrubs with dark pine woods in the banks in back, and some big boulders in front. The action is a man in white artist's smock, clutching a painting in one hand, palette in the other, and easel under an arm, fleeing wildly towards the viewer. Behind in his path is white water; a track leading fifty feet back to a large black bear.

"Bear Creek
The Art Critic"

22" X 12"
Not For Sale

Welcome to
Union Brush Works

Oils by Michael O'Connell
The Online Collection

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Visit Michael's exclusive gallery
The Hang Up Gallery of Fine Art
204 W Wisconsin Avenue
Neenah, Wisconsin


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